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href="http://www.reitschule.ch/reitschule/kino/index.shtml"><span
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none'><img border=0 width=104 height=24 id="_x0000_i2087"
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.4pt;mso-yfti-irow: 1'>
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height:30.0pt'>
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mso-bidi-font-family:ArialMT;color:#99CCFF'>DIESE WOCHE IM KINO IN DER
REITSCHULE<a name=pro></a><o:p></o:p></span></font></p>
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</span></font><a name=dez-4></a><a name=sep-2></a><a name=dez-1></a><a
name=jan-1></a><span class=h11><b><font size=6 color="#6699cc"><span
style='font-size:24.0pt'>UNCUT - warme Filme am Donnerstag</span></font></b></span><b><font
size=6 color="#6699cc"><span style='font-size:24.0pt;color:#6699CC;
font-weight:bold'><br>
</span></font></b><i><font size=1 color="#333300" face=Geneva><span
style='font-size:9.0pt;font-family:Geneva;color:#333300;font-style:italic'><br>
</span></font></i><span class=film1><font size=4 color="#6699cc"><span
style='font-size:13.5pt'>Donnerstag, 5. April, 20.30 Uhr<br>
</span></font></span><span class=filmtitl1><u><font size=4 color="#3366cc"><span
style='font-size:13.5pt'>Paper Dolls (Bubot Niyar)</span></font></u></span><span
class=film1><font size=4 color="#6699cc"><span style='font-size:13.5pt'><br>
Tomer Heymann, USA/Israel/CH 2006, 94 Min., Ov/d,f, 35mm</span></font></span><font
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Nach der zweiten Intifada schloss Israel seine Grenzen für ArbeiterInnen
aus den Palästinensisch<a name=n07></a><a name=sep-1></a>en Gebieten,
welche zuvor meist die schlechtest bezahlten Arbeitsplätze in Haushalt und
Altenpflege hatten. Um die vakant gewordenen Stellen neu zu besetzen,
ermutigte die Regierung Arbeitskräfte aus anderen Teilen der Erde zur
Einreise. Zu ihnen gehörten auch philippinische Transsexuelle. Um deren
Leben dreht sich der Dokumentarfilm Paper Dolls des 1970 in Yedidya,
Israel, geborenen Regisseurs Tomer Heymann. Unmittelbar und daher so
berührend porträtiert er ein Ensemble von Drag Queens – die «Paper Dolls».
Er begleitet sie tagsüber bei der körperlich und seelisch anspruchsvollen
Pflege der alten Menschen und zeigt ihre faszinierende Verwandlung zu den
schillernden «Paper Dolls» im Nachtleben von Tel Aviv.</span></font><font
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<p class=MsoNormal><font size=3 color=navy face="Times New Roman"><span
style='font-size:12.0pt;color:navy'> <a name=d03></a><a name=n04></a><a
name=04></a><a name=03></a><a name=02></a><o:p></o:p></span></font></p>
</td>
<td width=979 valign=top style='width:734.6pt;border:solid white .5pt;
border-left:none;mso-border-left-alt:solid white .5pt;padding:0cm 5.4pt 0cm 5.4pt'>
<p class=MsoNormal><font size=3 color=blue face="Times New Roman"><span
style='font-size:12.0pt;color:blue'><br>
</span></font><font color="#003300"><span style='color:#003300'><br>
</span></font><a name=dez-5></a><a name=nov-9></a><a name=dez-2></a><a
name=mar-2></a><span class=h11><b><font size=6 color="#6699cc"><span
style='font-size:24.0pt'>Brecht und Film – eine Hassliebe</span></font></b></span><b><font
size=6 color="#6699cc"><span style='font-size:24.0pt;color:#6699CC;
font-weight:bold'><br>
</span></font></b><font size=4 color="#6699cc"><span style='font-size:13.5pt;
color:#6699CC'><br>
</span></font><font size=2 color="#333333" face=Arial><span
style='font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial;
color:#333333'>Der Jungschriftsteller Brecht stürzt sich sogleich auch auf
den Film, als das Kino anfangs der zwanziger Jahre aufkommt. Doch ähnlich
wie sein zwiespältiges Verhältnis zum Exilland Schweiz («Die Schweiz ist zu
teuer, hat keine Städte – eine Theaterdekoration (aber ohne
Bühnenarbeiter)»), hat Bertolt Brecht, der Theaterrevolutionär und Albert
Einstein des neuen Theaters, Zeit seines Lebens eine Hassliebe zum Film
entwickelt. Er suchte stets und überall die Reibung, sowohl auf dem Theater
und beim Film wie auch in Deutschland und seinen Exilländern während der
Hitler-Zeit. Der Autor der legendären Dreigroschenoper, die 1931 als einer
der ersten Tonfilme verfilmt wird, ist daher auf allen Kontinenten ein
grosser Kinogänger. Ob vor den Toren Hollywoods oder als Drehbuchautor in
Zürich, stets pflegt er eine unglückliche Liebe zum Film. Er unternimmt ein
Leben lang immer wieder neue Versuche und schlägt auch noch in der DDR
verschiedene Experimente mit diesem Medium vor. Alle Avancen und Projekte
enden fast immer mit heftigen Auseinandersetzungen oder führen zu Prozessen
wie beim Film Die Dreigroschenoper, bei Hangmen Also Die oder bei den
Verfilmungen Mutter Courage und ihre Kinder und Herr Puntila und sein
Knecht Matti. Der einzige Film, den Brecht künstlerisch gelten lässt, ist
Kuhle Wampe oder Wem gehört die Welt? Seine Fertigstellung verdankt er
1932, nach Abbruch der schwierigen Dreharbeiten, einer Rettungsaktion mit
Geld aus Zürich in letzter Minute. Kuhle Wampe wird dann auch in Berlin
zweimal von den Zensurbehörden verboten.<br>
<br>
Ein Eintrag im Journal 1943 verdeutlicht, weshalb Bertolt Brecht im Medium
Film nie heimisch wurde und – trotz vieler Verfilmungen seiner Werke – im
Kino nie wirkliche Erfolge feiern kann: «Rezept für Erfolg im
Filmschreiben: Man muss so gut schreiben, als man kann, und das muss eben
schlecht genug sein.»<br>
Bertolt Brecht und seine Hassliebe zum Film ist auch heute noch ein
spannendes Thema.<br>
<br>
Wir danken für die Zusammenarbeit und Unterstützung Werner Wüthrich, dem
Institut für Theaterwissenschaft (ITW) der Universität Bern und der
Schweizerische Theatersammlung (STS) in Bern, Pro Helvetia sowie
Kulturstadt Bern.<br>
<br>
Bitte beachten sie die verschiedenen Anfangszeiten!<br>
</span></font><font size=4 color="#6699cc"><span style='font-size:13.5pt;
color:#6699CC'><br>
<span class=film1><font color="#6699cc">Freitag, 6. April, 21.00 Uhr<br>
Donnerstag, 12. April, 20.30 Uhr<br>
</font></span></span></font><span class=filmtitl1><u><font size=4
color="#3366cc"><span style='font-size:13.5pt'>Wer keinen Pass hat, ist ein
Hund – Berthold Brecht und die Schweiz</span></font></u></span><span
class=film1><font size=4 color="#6699cc"><span style='font-size:13.5pt'><br>
B. Moll, Schweiz 2004, Ov, 60 Min, Beta SP.</span></font></span><font
color=navy><span style='color:navy'><o:p></o:p></span></font></p>
</td>
</tr>
</table>
<p class=MsoNormal><font size=3 color="#99ccff" face="Times New Roman"><span
style='font-size:12.0pt;color:#99CCFF'><o:p></o:p></span></font></p>
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<td style='mso-cell-special:placeholder;border:none;padding:0cm 0cm 0cm 0cm'
width=1><p class='MsoNormal'> </td>
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<td style='mso-cell-special:placeholder;border:none;padding:0cm 0cm 0cm 0cm'
width=1><p class='MsoNormal'> </td>
<td width=983 style='width:737.2pt;padding:0cm 0cm 0cm 0cm'>
<table border=0 cellspacing=0 cellpadding=0 width="100%" style='width:100.0%;
mso-cellspacing:0cm;mso-padding-alt:0cm 0cm 0cm 0cm'>
<tr>
<td width=204 valign=top style='width:153.0pt;padding:0cm 0cm 0cm 0cm'>
<p class=MsoNormal style='mso-pagination:none;mso-layout-grid-align:none'><span
class=film1><font size=2 color="#666666" face=Arial><span style='font-size:
10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial;mso-bidi-font-family:
"Times New Roman";color:#666666'> <o:p></o:p></span></font></span></p>
<p class=MsoNormal align=right style='text-align:right'><font size=2
color="#ff99cc" face=Arial><span style='font-size:10.0pt;font-family:Arial;
color:#FF99CC'><img src="cid:image004.png@01C776D3.F6B9FEB0"
v:src="cid:image004.png@01C776D3.F6B9FEB0" v:shapes="_x0000_Mail" width=0
height=0 class=shape style='display:none;width:0;height:0'><!--[if gte vml 1]><v:shape
id="_x0000_i2112" type="#_x0000_t75" style='width:142.5pt;height:90pt'>
<v:imagedata src="cid:image004.png@01C776D3.F6B9FEB0" o:title=""/>
</v:shape><![endif]--><![if !vml]><img border=0 width=190 height=120
src="cid:image005.jpg@01C776D3.F6B9FEB0" v:shapes="_x0000_i2112"><![endif]></span></font><font
size=2 color=navy face=Arial><span style='font-size:10.0pt;font-family:
Arial;color:navy'><br>
<br>
<br style='mso-special-character:line-break'>
<![if !supportLineBreakNewLine]><br style='mso-special-character:line-break'>
<![endif]></span></font><font color=navy><span style='mso-bidi-font-size:
10.0pt;mso-bidi-font-family:Arial;color:navy'><o:p></o:p></span></font></p>
</td>
<td width=15 valign=top style='width:10.9pt;padding:0cm 0cm 0cm 0cm'>
<p class=MsoNormal align=right style='text-align:right'><font size=2
color=navy face=Arial><span style='font-size:10.0pt;font-family:Arial;
color:navy'> <o:p></o:p></span></font></p>
</td>
<td width=499 valign=top style='width:374.6pt;padding:0cm 0cm 0cm 0cm'>
<p class=MsoNormal><font size=2 color="#333333" face=Arial><span
style='font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial;
color:#333333'><br>
Der Berner Bruno Moll verfilmte die gespaltene Beziehung Brechts zur
Schweiz, die ihn zwischen 1923 und 1956 mehrfach beherbergte und in der
einige Werke uraufgeführt wurden. Von bestimmten Kreisen wurde er verehrt,
von anderen gefürchtet und als kommunistischer Agent verdächtigt und der
Staatsschutz bespitzelte ihn. Ein Film über die Stimmung in der Schweiz
nach dem 2. Weltkrieg und über Brechts neue Ausgangslage 1947 bis 1949 im
Schweizer Exil.</span></font><font size=2 color="#333333" face=Arial><span
style='font-size:10.0pt;mso-bidi-font-size:9.0pt;font-family:Arial;
color:#333333'>.<br style='mso-special-character:line-break'>
<![if !supportLineBreakNewLine]><br style='mso-special-character:line-break'>
<![endif]></span></font><span class=film1><font size=2 color="#333333"
face=Arial><span style='font-size:10.0pt;mso-bidi-font-size:13.5pt;
font-family:Arial;color:#333333'><o:p></o:p></span></font></span></p>
</td>
</tr>
</table>
<p class=MsoNormal><font size=3 color=black face="Times New Roman"><span
style='font-size:12.0pt;color:black;mso-color-alt:windowtext'><o:p></o:p></span></font></p>
</td>
<td style='mso-cell-special:placeholder;border:none;padding:0cm 0cm 0cm 0cm'
width=1><p class='MsoNormal'> </td>
</tr>
<tr style='mso-row-margin-left:.4pt;mso-row-margin-right:.4pt;mso-yfti-irow: 5;
mso-yfti-lastrow: yes'>
<td style='mso-cell-special:placeholder;border:none;padding:0cm 0cm 0cm 0cm'
width=1><p class='MsoNormal'> </td>
<td width=983 valign=bottom style='width:737.2pt;padding:0cm 0cm 0cm 0cm'>
<table border=0 cellspacing=0 cellpadding=0 style='border-collapse:collapse;
border:none;mso-border-alt:solid white .5pt;mso-padding-alt:0cm 5.4pt 0cm 5.4pt'>
<tr>
<td width=131 valign=top style='width:98.6pt;border:solid white .5pt;
padding:0cm 5.4pt 0cm 5.4pt'>
<p class=MsoNormal><font size=3 color=navy face="Times New Roman"><span
style='font-size:12.0pt;color:navy'> <o:p></o:p></span></font></p>
</td>
<td width=979 valign=top style='width:734.6pt;border:solid white .5pt;
border-left:none;mso-border-left-alt:solid white .5pt;padding:0cm 5.4pt 0cm 5.4pt'>
<p class=MsoNormal><font size=3 color="#003300" face="Times New Roman"><span
style='font-size:12.0pt;color:#003300'><br>
</span></font><span class=film1><font size=4 color="#6699cc"><span
style='font-size:13.5pt'>Samstag, 7. April, 21.00 Uhr<br>
Donnerstag, 26. April, 20.30 Uhr<br>
</span></font></span><span class=filmtitl1><u><font size=4 color="#3366cc"><span
style='font-size:13.5pt'>Brecht – die Kunst zu leben</span></font></u></span><span
class=film1><font size=4 color="#6699cc"><span style='font-size:13.5pt'><br>
Joachim Lang, Deutschland 2006, doc, OV/D, 90 Min. Beta SP<o:p></o:p></span></font></span></p>
</td>
</tr>
</table>
<p class=MsoNormal><font size=3 color="#99ccff" face="Times New Roman"><span
style='font-size:12.0pt;color:#99CCFF'><o:p></o:p></span></font></p>
</td>
<td style='mso-cell-special:placeholder;border:none;padding:0cm 0cm 0cm 0cm'
width=1><p class='MsoNormal'> </td>
</tr>
<tr style='mso-row-margin-left:.4pt;mso-row-margin-right:.4pt'>
<td style='mso-cell-special:placeholder;border:none;padding:0cm 0cm 0cm 0cm'
width=1><p class='MsoNormal'> </td>
<td width=983 style='width:737.2pt;padding:0cm 0cm 0cm 0cm'>
<table border=0 cellspacing=0 cellpadding=0 width="100%" style='width:100.0%;
mso-cellspacing:0cm;mso-padding-alt:0cm 0cm 0cm 0cm'>
<tr>
<td width=204 valign=top style='width:153.0pt;padding:0cm 0cm 0cm 0cm'>
<p class=MsoNormal align=right style='text-align:right;mso-pagination:none;
mso-layout-grid-align:none'><span class=film1><font size=2 color="#666666"
face=Arial><span style='font-size:10.0pt;mso-bidi-font-size:12.0pt;
font-family:Arial;mso-bidi-font-family:"Times New Roman";color:#666666'> </span></font></span><font
size=1 color="#333333" face=Geneva><span style='font-size:9.0pt;font-family:
Geneva;color:#333333'><br>
</span></font><font size=1 color="#ff99cc" face=Geneva><span
style='font-size:9.0pt;font-family:Geneva;color:#FF99CC'><img
src="cid:image006.png@01C776D3.F6B9FEB0"
v:src="cid:image006.png@01C776D3.F6B9FEB0" v:shapes="_x0000_Mail" width=0
height=0 class=shape style='display:none;width:0;height:0;display:none;
height:0in;width:0in'><!--[if gte vml 1]><v:shape id="_x0000_i2114" type="#_x0000_t75"
style='width:142.5pt;height:90pt'>
<v:imagedata src="cid:image006.png@01C776D3.F6B9FEB0" o:title=""/>
</v:shape><![endif]--><![if !vml]><img border=0 width=190 height=120
src="cid:image007.jpg@01C776D3.F6B9FEB0" v:shapes="_x0000_i2114"><![endif]></span></font><font
size=1 color="#333333" face=Geneva><span lang=IT style='font-size:9.0pt;
font-family:Geneva;color:#333333;mso-ansi-language:IT'><br
style='mso-special-character:line-break'>
<![if !supportLineBreakNewLine]><br style='mso-special-character:line-break'>
<![endif]></span></font><span class=film1><font size=2 color="#666666"
face=Arial><span lang=EN-US style='font-size:10.0pt;mso-bidi-font-size:
12.0pt;font-family:Arial;mso-bidi-font-family:"Times New Roman";color:#666666;
mso-ansi-language:EN-US'><o:p></o:p></span></font></span></p>
<p class=MsoNormal align=right style='text-align:right'><font size=1
color="#333333" face=Geneva><span lang=EN-US style='font-size:9.0pt;
font-family:Geneva;color:#333333;mso-ansi-language:EN-US'><br>
</span></font><font size=2 color=navy face=Arial><span lang=EN-US
style='font-size:10.0pt;font-family:Arial;color:navy;mso-ansi-language:
EN-US'><br>
<br style='mso-special-character:line-break'>
<![if !supportLineBreakNewLine]><br style='mso-special-character:line-break'>
<![endif]></span></font><font color=navy><span lang=EN-US style='mso-bidi-font-size:
10.0pt;mso-bidi-font-family:Arial;color:navy;mso-ansi-language:EN-US'><o:p></o:p></span></font></p>
</td>
<td width=15 valign=top style='width:10.9pt;padding:0cm 0cm 0cm 0cm'>
<p class=MsoNormal align=right style='text-align:right'><font size=2
color=navy face=Arial><span style='font-size:10.0pt;font-family:Arial;
color:navy'> <o:p></o:p></span></font></p>
</td>
<td width=499 valign=top style='width:374.6pt;padding:0cm 0cm 0cm 0cm'>
<p class=MsoNormal><font size=2 color="#333333" face=Arial><span
style='font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial;
color:#333333'><br>
Erst kommt das Fressen, dann die Moral – er stellte die Tatsachen über die
Ideologien, den Menschen über die Kultur, die Lebenskunst über die Kunst.
Dennoch wurde gerade Bertolt Brecht im Gesinnungsstreit von Bundesrepublik
und DDR vereinnahmt, wie es gerade passte: Für den Westen war er mal
Kommunistenknecht, mal Ausbeuter, für den Osten mal Staatsdichter, mal
Liebling des Westens.<br>
Er selbst, als Augsburger Bürgersöhnchen mit einer gehörigen Portion
Selbstbewusstsein ausgestattet, wusste früh, was er wollte: nichts weniger
als ein radikal neues Theater – volksnah, sinnlich, vergnüglich und
belehrend zugleich. Brecht arbeitete auch radikal anders als die meisten:
im Kollektiv, von Anfang an, als 15-jähriger in seiner Augsburger Clique
ebenso wie in den fünfzehn Jahren seines Exils und später, mit seinem
Berliner Ensemble, in Ost-Berlin. 48 Dramen schrieb er und über 2.000
Gedichte, niemand auf der Welt – ausser Shakespeare – wird mehr gespielt
als er. Die Lieder, die er zusammen mit Kurt Weill oder Hanns Eisler
verfasste, sind Schlager geworden, die Moritat von Mackie Messer, der
Kanonensong, der Alabama-Song und unzählige mehr. Bertolt Brecht und seine
Frau Helene Weigel<br>
<br>
Seine Frau, die Schauspielerin Helene Weigel, hielt ihm den Rücken für die
künstlerische Arbeit frei. Er hielt ihr die Treue – nur treu, so formuliert
es die Tochter Barbara Brecht-Schall, sei er eben auch anderen gewesen.
Elisabeth Hauptmann, Margarete Steffin, Ruth Berlau – intelligente,
fortschrittlich denkende Frauen fühlten sich zu Brecht hingezogen: Sie
arbeiteten mit ihm – zum Teil bis zur Selbstaufopferung –, und sie wurden
Teil des brechtschen Lebens- und Arbeitskollektivs. Bertolt Brecht und
seine Geliebte Ruth Berlau.<br>
Joachim Langs Film zeigt Bertolt Brecht als einen, dem geistige Unabhängigkeit
das Wichtigste war. Sobald er diese bedroht sah, entzog er sich: Aus der
bayerischen Provinz nach Berlin, dann, auf der Flucht vor Krieg und
Faschismus, einmal um die Welt, bis er sich in Ost-Berlin niederliess, weil
er dort auf gute Bedingungen für seine Theaterarbeit hoffte. Die
DDR-Funktionäre schmückten sich mit ihm und liessen ihn bespitzeln. Brecht
blieb ihnen suspekt. Vom Leben und Arbeiten mit ihm erzählen u.a. die
Schauspielerinnen Regine Lutz und Käthe Reichel, seine Assistenten Manfred
Wekwerth und Bernhard K. Tragelehn – und die Töchter Brechts, Hanne Hiob
und Barbara Brecht-Schall.</span></font><font size=2 color="#333333"
face=Arial><span style='font-size:10.0pt;mso-bidi-font-size:9.0pt;
font-family:Arial;color:#333333'>.</span></font><span class=film1><font
size=2 color="#333333" face=Arial><span style='font-size:10.0pt;mso-bidi-font-size:
13.5pt;font-family:Arial;color:#333333'><o:p></o:p></span></font></span></p>
</td>
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<p class=MsoNormal><font size=3 color=black face="Times New Roman"><span
style='font-size:12.0pt;color:black;mso-color-alt:windowtext'><o:p></o:p></span></font></p>
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width=1><p class='MsoNormal'> </td>
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<p class=MsoNormal><![if !supportEmptyParas]> <![endif]><font size=3
color=black face="Times New Roman"><span style='font-size:12.0pt;color:black;
mso-color-alt:windowtext'><o:p></o:p></span></font></p>
</td>
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<td width=984 colspan=3 style='width:738.0pt;padding:0cm 0cm 0cm 0cm'>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'> <a name=dez-6></a><o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color="#999999" face=Arial><span
style='font-size:10.0pt;font-family:Arial;mso-bidi-font-family:"Times New Roman";
color:#999999'><br>
Du bekommst diese Mail, weil du in der Mailingliste des Kinos in der
Reitschule erfasst bist. Deine Adresse löschen oder weitere Adressen
hinzufügen kannst du auf <a href="http://kino-liste.lorraine.ch"><font
color="#999999"><span style='color:#999999'>http://kino-liste.lorraine.ch</span></font></a>.
Das gesamte Programm der Reitschule und mehr findest du unter <a
href="http://www.reitschule.ch/"><font color="#999999"><span
style='color:#999999'>http://www.reitschule.ch</span></font></a>.<o:p></o:p></span></font></p>
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